Welcome to my capstone project! I’m Paolo Lembo (AKA, LemBo), a passionate music enthusiast currently pursuing my music technology degree at Brooklyn College. From the art of beatboxing to the enchanting melodies of trumpet and euphonium, I’m on a mission to blend these elements with my beat making skills.

As a musician, I’ve always been driven by the desire to push the boundaries of what’s possible in music. That’s why with this project, I aim to bridge the gap between traditional brass instruments, contemporary beat-making and even beatboxing to offer a fresh perspective on musical expression.

Beyond this capstone project, my journey in the music industry is just beginning. I aspire to explore various facets, from electrifying performances and precise mixing and mastering to the thrilling world of live looping. Join me on this musical adventure, and let’s uncover the endless possibilities that music technology has to offer.

Inspiring project Presentation

Bibliography

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Minnesota Public Radio, 21 Oct. 2019, www.yourclassical.org/story/2019/08/26/you-play-what-the-euphoniums-identity-crisis. 

“HISTORY OF BEATBOX: OLD SCHOOL.” HUMAN BEATBOX, Apr. 2005. https://www.humanbeatbox.com/articles/history-of-beatboxing-part-2/

Ibbett, David Roger. Towards an Integrated Art Music. 2015. University of Birmingham, PhD Thesis.

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Kuhns, Christopher. Beatboxing and the Flute: Its History, Repertoire, and Pedagogical Importance. 2014. https://diginole.lib.fsu.edu/islandora/object/fsu:274047/datastream/PDF/view

Malone, Christopher, and George Martinez. “The Organic Globalizer: The Political Development of Hip-Hop and the Prospects for Global Transformation.” New Political Science, vol. 32, no. 4, 2010, pp. 531–45.

Morris, R. Winston, et al. Guide to the Euphonium Repertoire: The Euphonium Source Book. Indiana University Press, 2007.

Pagliaro, Michael. “The History of Brass Instruments.” Basic Elements of Music, Rowman & Littlefield Publishers, Incorporated, 2016.

Thompson, Tok. “Beatboxing, Mashups, and Cyborg Identity: Folk Music for the Twenty-First Century.” Western Folklore, 2011, pp. 171–93.  https://www.jstor.org/stable/23124179

TyTe. “Part 3: The New Skool | Human Beatbox.” HUMAN BEATBOX, 2005, www.humanbeatbox.com/articles/history-of-beatboxing-part-3/.